Scrivener™ For Dummies®
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Table of Contents
Conventions Used in This BookWhat You’re Not to ReadFoolish AssumptionsHow This Book Is OrganizedPart I: Getting to Know ScrivenerPart II: Meeting the InspectorPart III: Starting to WritePart IV: Getting Your Manuscript Out TherePart V: Customizing Your Scrivener ExperiencePart VI: Getting the Most Out of ScrivenerPart VII: The Part of TensIcons Used in This BookWhere to Go From Here
Chapter 1: Getting Started in ScrivenerUnderstanding What Scrivener Is (and Isn’t)Understanding the Differences between Mac and Windows VersionsLooking at Scrivener Keyboard ConventionsCreating a ProjectChoosing the right templateNaming your projectDetermining where to save your projectUnderstanding the Scrivener InterfaceMenu barToolbarBinderEditorInspectorDetermining Your Writing StyleChapter 2: Organizing Your Work with the BinderUnderstanding Files and Folders in ScrivenerWorking with the Root FoldersBuilding Your Scrivener ProjectAdding a text documentAdding a folderCreating a folder at the root levelImporting filesWorking with Scrivener ItemsRenaming an itemMoving Binder itemsGrouping itemsChanging folder and file iconsSplitting and merging documentsDeleting files and folders
Chapter 3: Working with the SynopsisUnderstanding the SynopsisPopulating the SynopsisRenaming an itemAdding textAdding an imageDeleting an imageChapter 4: Tracking Scene Elements with MetadataNavigating the General Meta-Data SectionWorking with the Label and Status FieldsChanging the field nameDeleting existing valuesAdding new valuesEditing existing valuesChanging value colorsRearranging the list of valuesSetting a default valueAssigning Label and Status ValuesAssigning a value from the InspectorAssigning a value with the contextual menuUsing Label Colors to Distinguish ItemsChapter 5: Working with Document Support PanesLooking at the Document Support PanesTaking NotesComparing project and document notesEntering notesModifying notesAdding an image to notesManaging project notesGetting the Skinny on ReferencesLinking to Reference MaterialAdding an internal referenceAdding an external referenceEditing and deleting a referenceViewing a referenceAssigning KeywordsComparing keywords to other metadataAdding a keyword to an itemApplying an existing keyword to a fileRemoving a keyword from an itemWorking with the Project Keywords WindowApplying keywordsFinding items by keywordAdding a keyword to the projectChanging the keyword colorModifying a keywordDeleting a keywordCreating Custom MetadataAdding a custom metadata fieldAdding a valueModifying a valueDeleting a custom metadata fieldLooking at the Remaining Document Support OptionsSnapshotsComments and FootnotesLocking the Inspector
Chapter 6: Introducing the Editor: Where the Magic HappensDissecting the EditorThe Format barThe Header barThe Footer barThe RulerSeeing Double with Split Screen ModeSplitting the screenAdding a file to the split screenLocking the EditorSelecting the active document in the BinderLocking the Inspector paneSplitting the Editor verticallyUsing QuickReference PanelsUsing Scrivenings Mode to View Documents TogetherChecking Your Spelling and GrammarChapter 7: Getting Rid of Distractions with Composition ModeComparing Composition Mode to the Full Screen FunctionEntering Composition ModePersonalizing the Composition Mode ExperienceUsing the menu bar and control stripAdjusting Composition mode settingsChanging Composition mode settings for all projectsWorking in Composition ModeViewing the Inspector PanelChapter 8: Planning Your Project with the CorkboardViewing the CorkboardUnderstanding Index Card ElementsDefault elementsOptional elementsWorking in the CorkboardModifying the Corkboard LayoutUnderstanding the Types of CorkboardsLinear CorkboardFreeform CorkboardStacked CorkboardsAdding a New Document in the CorkboardViewing the Corkboard in Split ScreenModifying the Corkboard PreferencesPrinting Index CardsChapter 9: Getting a High-Level View of Your Project with the OutlinerAccessing the OutlinerArranging the OutlinerExpanding and collapsing itemsAdding and removing columnsAdjusting column widthMoving items within the OutlinerSorting by columnHiding and showing the SynopsisEditing in the OutlinerViewing Your Outline in Split ScreenPrinting Your OutlineExporting Your Outline to a SpreadsheetChapter 10: Marking Up Your Text with Inline Annotations and CommentsUsing Inline Annotations to Insert Notes into Your TextCreating an annotationChanging annotation colorSplitting an annotationSearching for an annotationEditing and deleting an annotationConverting annotations to commentsStripping all notations from a documentUsing Comments to Create Linked Notes in the SidebarAdding a commentEditing and deleting a commentChanging the comment colorUsing comments to navigate a documentMoving a commentConverting a comment to an inline annotationExporting Comments and AnnotationsChapter 11: Citing Your Sources with FootnotesUnderstanding the Types of FootnotesLinked footnotesInline footnotesAdding a FootnoteAdding a linked footnoteUsing footnote markersAdding an inline footnoteAdding a referenced footnoteEditing or Deleting a FootnoteStripping All Notations from a DocumentImporting and Exporting with Footnotes
Chapter 12: Setting Up the Compile OptionsDeciding on a Format and Output TypePredefined compile formatsOutput typesAccessing the Compilation OptionsChoosing which Documents to ExportChoosing contents by individual selectionChoosing contents by predetermined selectionNarrowing contents with a filterOverriding the contents list selectionsAdding front matter to the compilationFormatting the Compiled OutputUnderstanding the Structure and Content tableChanging the final format with the Formatting EditorWorking with Some Helpful Format OptionsForcing one font for the entire compilationForcing a page break before a documentPreserving the format of a documentCustomizing the transitions between Binder items with separatorsInserting a separator when an empty line falls on a page breakAdding an end-of-text markerFormatting your output into columnsRemoving footnotes from compiled outputConverting footnotes to endnotesExporting comments and annotations for use in WordExporting comments and annotations as inline commentsSetting the marginsAdjusting how word and character counts are calculatedCustomizing Headers and FootersAdding or modifying a header or footerUsing a different first page header or footerStarting the page count on the first pageMaking Text ConversionsConverting special characters to plain-text versionsChanging character formattingFormatting Your E-BookAdding a coverAdding document properties for e-booksIncreasing the navigation dots on the Kindle progress barSetting Up Scripts for ExportChapter 13: Exporting Your Project with CompileCompiling Your ProjectViewing and Previewing the OutputSaving and Resetting Compile SettingsSaving compile settings without compiling the projectResetting the compile settingsCreating and Deleting Compile Format PresetsSaving your compile settings as a custom formatDeleting a custom compile formatRevealing or hiding compile presetsExporting for E-BooksCompiling for ePubValidating your ePub fileCompiling for KindlePreviewing your Kindle fileExporting Special Types of OutputCreating an outline without numberingCompiling a list of document notes
Chapter 14: Setting Word Count Goals and Checking ProgressWorking with Project TargetsSetting a draft and session targetResetting the session countAdjusting the target optionsAdding Targets to a DocumentChecking Project StatisticsChanging Project Statistics OptionsUsing Text Statistics to View Word FrequencyTracking ProductivityChapter 15: Saving Time with Custom Layouts and Project TemplatesCustomizing Your Workspace with LayoutsSaving the current layoutCreating a new layoutApplying a layout to your workspaceModifying a layoutDeleting a layoutExporting a layoutImporting a layoutSaving Time on Future Projects with Custom Project TemplatesCreating and saving a custom project templateWorking with project templatesChapter 16: Creating Useful Forms with Document TemplatesViewing Existing Document TemplatesCreating a Document from a Document TemplateEditing a Document TemplateCreating a Custom TemplateWorking with the Document Templates FolderRemoving the template folder designationDesignating a templates folderChanging the Default New Document Type
Chapter 17: Searching High and LowWorking with Project SearchSearching a projectChoosing which elements to searchLimiting the search resultsExamining other search optionsUsing Project ReplaceRunning Document Find and ReplaceUsing Document FindViewing recent searchesWorking with Document ReplaceFinding by FormatMarking the Spot with BookmarksAdding a bookmarkAdding a bookmark headerNavigating to bookmarksChapter 18: Creating Collections for Quick Access to Related FilesLooking at the Types of CollectionsWorking with Standard CollectionsCreating a standard collectionAdding an item to a standard collectionRemoving a file from a standard collectionReorganizing a standard collectionMoving reordered collection items back to the BinderChanging the collection colorCreating a Search CollectionWorking with the Search Results CollectionConverting a Saved Search Collection to a Standard CollectionRenaming a CollectionRemoving a CollectionViewing a Collection as a ContainerShowing the Label and Status Columns in the Collections ListChapter 19: Saving Versions of Your Files with SnapshotsCreating a SnapshotViewing Snapshots in the SidebarCreating Titled SnapshotsSorting SnapshotsComparing SnapshotsViewing comparisons in the sidebarViewing comparisons in a split screen without markupsViewing comparisons in a split screen with markupsChanging Compare settingsRolling Back to a Previous Document VersionDeleting a SnapshotSetting Up Automatic SnapshotsChapter 20: Tracking Your RevisionsMarking TextMarking text with a new levelMarking existing textMarking text for deletionFinding RevisionsRemoving RevisionsRemoving revisions by colorRemoving all revision levelsChanging Revision Mode ColorsCompiling with Marked RevisionsChapter 21: Protecting Your Work with Automatic and Manual BackupsUnderstanding the Importance of BackupsSetting Up Automatic Backup PreferencesExcluding a Project from Automatic BackupForcing a Manual BackupRestoring a Project from a Backup File
Chapter 22: Ten Awesome Features That Didn’t Fit Anywhere ElseShowing Invisible CharactersCopying Files between ProjectsTaking Notes with the Scratch PadLooking at the Editor in Page ViewAppending Text to a DocumentCreating Links between Documents in a ProjectInserting a link with a titleConverting existing text to a linkRemoving a linkChanging link behaviorInserting a Table of ContentsSorting ParagraphsMaking Duplicates of Binder ItemsDuplicate with subdocumentsDuplicate without subdocumentsNaming NamesChapter 23: Ten Ways to Get More HelpGetting Interactive with the TutorialUsing the User ManualLetting the Template Be Your GuideWatching Online Video TutorialsFinding Your Answers in the ForumSearching for Answers on the FAQ pageChecking Out the Scrivener Support PageE-Mailing Technical SupportRevving the Search EngineSchmoozing
Scrivener™ For Dummies®
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About the Author
Gwen Hernandez began working with Scrivener in 2009 and created a series of blog posts to share its lesser-known features with her writing friends. Encouraged by her growing community of followers, she developed a popular Scrivener online class that’s offered several times a year.
With a degree in Management Information Systems, Gwen started her professional life as a programmer and then transitioned to teaching technology and business courses. She changed tack with an advanced degree, working as a manufacturing engineer in a semiconductor plant — yes, she wore a “bunny suit” — before rediscovering her childhood passion for writing.
When Gwen’s not teaching classes about Scrivener, she uses it to spin tales of romance and suspense, and every once in a while, someone actually likes reading them. In 2011, she was a finalist in the Romance Writers of America’s Golden Heart® contest.
As a military brat and Air Force spouse, Gwen isn’t sure she’ll ever be able to settle down, but she currently resides in northern Virginia with her husband, two boys, and a lazy golden retriever. She loves to travel, run, explore, learn, and relax in her favorite recliner with a good book. Find her online at www.gwenhernandez.com
.
Dedication
For my mom, who would have smiled proudly and bought me a houseplant.
Author’s Acknowledgments
Many hugs to my husband and boys for their unwavering — though not without some eye rolling — support. I love you guys!
Thanks to Christine Glover for introducing me to Scrivener. Bet you didn’t think your first mention from me would be in a technical book.
I’d be remiss if I didn’t add my appreciation for the blog readers and students who’ve encouraged me along the way. Your support and enthusiasm mean the world to me.
I owe Keith, Ioa, Jennifer, and Lee at Literature & Latte a huge debt of gratitude for pointing out technical errors, providing examples and suggestions, and keeping me up to date on what’s coming next. Any mistakes or omissions are not for their lack of effort. Their help with this book was invaluable.
To Keith Blount and the whole Literature & Latte crew, thanks for your dedication to making — and keeping — Scrivener so fabulous. And to David who’s always generous in spreading the word.
Finally, I have to add my thanks to the entire Wiley team who worked so hard on this book, especially Laura Miller, who tweaked and questioned and clarified, and made this book so much better than I could have on my own, and Chris Webb who believed in me enough to let me tackle this project.
Publisher’s Acknowledgments
We’re proud of this book; please send us your comments at http://dummies.custhelp.com. For other comments, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.
Some of the people who helped bring this book to market include the following:
Acquisitions and Editorial
Project Editor: Laura K. Miller
Acquisitions Editor: Chris Webb
Assistant Editor: Ellie Scott
Copy Editor: Laura K. Miller
Technical Editors: Keith Blount, Ioa Petra’ka
Editorial Manager: Jodi Jensen
Senior Project Editor: Sara Shlaer
Editorial Assistant: Leslie Saxman
Cover image: © Literature & Latte
Cartoons: Rich Tennant (www.the5thwave.com)
Composition Services
Sr. Project Coordinator: Kristie Rees
Layout and Graphics: Jennifer Creasey
Proofreaders: The Well-Chosen Word
Indexer: Valerie Haynes Perry
UK Tech Publishing
Michelle Leete, VP Consumer and Technology Publishing Director
Martin Tribe, Associate Director–Book Content Management
Chris Webb, Associate Publisher
Marketing
Louise Breinholt, Associate Marketing Director
Lorna Mein, Marketing Manager
Kate Parrett, Senior Marketing Executive
Publishing and Editorial for Technology Dummies
Richard Swadley, Vice President and Executive Group Publisher
Andy Cummings, Vice President and Publisher
Mary Bednarek, Executive Acquisitions Director
Mary C. Corder, Editorial Director
Publishing for Consumer Dummies
Kathleen Nebenhaus, Vice President and Executive Publisher
Composition Services
Debbie Stailey, Director of Composition Services
Introduction
If writing tools were teachers, your word processor would be the one who admonishes you to color within the lines and always use green for grass. Scrivener would be the cool teacher who encourages you to draw your own picture and praises your purple sun.
Don’t get me wrong: Word processors have their place. But although they provide the tools to make your manuscript look pretty, they force you to write in a linear fashion that just doesn’t match the way many writers work.
Scrivener, on the other hand, is so flexible, it could teach yoga. The program bends over backwards to accommodate your writing needs. Want to write the ending first? Go for it! Want to look only at scenes from one character or storyline? No problem.
Scrivener’s flexibility makes it powerful — but sometimes a bit overwhelming, which is where this book comes in. In these pages, you can figure out many of Scrivener’s jaw-dropping moves so that, before long, you too can bend like a pretzel in pursuit of writerly nirvana.
Conventions Used in This Book
This book is not a philosophical work on the theory and value of writing software. In my house, that kind of book would be a doorstop.
No, this book is a hands-on, get-to-work teacher on the page. So, to try out any of the actions described, you have to get your hands on the keyboard and mouse (or trackpad).
With that in mind, you need to have a few skills:
Clicking: You need to know how to click, double-click, and right-click with your mouse or trackpad. Right-clicking opens up a whole new world of contextual menus that apply to whatever you’re working on. Also called a secondary click, you can Control-click on the Mac if your mouse isn’t set up to right-click.
Drag and drop: You’ll be dragging things around a lot in this book — but I promise nothing heavy. Dragging is accomplished by clicking an object and holding the mouse button down while moving the pointer on the screen. You drop by letting go of the mouse button.
Don’t know how to drag with a trackpad? While hovering the pointer over the selected items, click the trackpad and hold it down while using another finger to drag the items where you want them to go. (I usually click with my thumb and drag with my index finger, but use whatever feels comfortable to you.)
To make reading easier, you’ll see some of the following conventions used throughout the book:
A keyboard shortcut is represented like this: ⌘+V. This text means that you press and hold the ⌘ key and type the letter V, then release both keys.
Some keyboard shortcuts are combinations of more than two keys, such as Shift+⌘+S. For this one, press and hold Shift and ⌘, and then type the letter S. Then release all three keys.
Menu commands are written like Project⇒New Text, which tells you to click Project to open the Project menu and choose New Text from that menu.
Web addresses appear like
www.literatureandlatte.com
.
When I want to show you a message or text that appears in the editing portion of Scrivener, it looks like this:
Bob didn’t know what to do next. Should he buy a gun or a beer?
When I’m directing you to type specific text, it appears in bold. For example, I might tell you to type Bob didn’t know what to do next.
Windows users, have no fear. Although Scrivener was originally created for the Mac — and at this time, the Mac version is still the most advanced — much of this book still applies to the Windows version, too.
For more on the key differences between Scrivener for Mac and Scrivener for Windows, check out Chapter 1.
What You’re Not to Read
Unless you really, really want to, you don’t have to read this book from cover to cover. Each section and chapter is designed as a freestanding module so that you can dip in anywhere and get right to work.
Foolish Assumptions
We all know what assumptions do, but in order to write this book, I had to make a few anyway. For starters, I assumed that you have some fundamental skills with your computer, such as turning it on, starting a program, using a mouse, and accessing and saving files.
In addition, I assumed you’ve at least used a word processor before — whether Microsoft Word, Corel WordPerfect, Apple Pages, or something else — so you have some familiarity with selecting text, basic formatting (such as font, font size, justification, and spacing), and keyboard use.
Not only that, but because this book is about a piece of writing software, I figured you write something. I know, dangerous, right? Really, I don’t care if it’s a 1,000-page futuristic mystery about flying snakes or weekly letters to your grandmother. It’s all writing. Academic papers, news articles, recipes, and diaries count, too.
Finally, I reasoned that you actually want to find out Scrivener’s secrets. Whether you’ve been playing with it for years without digging into what it can really do, or you just heard from a friend that Scrivener was the best thing to happen to writers since the ballpoint pen and you want to know what all of the fuss is about, there’s a reason you picked up this book.
When I use the word Scrivener, I’m referring to Scrivener 2 for Mac — and specifically for Mac OS X Lion — but much of the information I provide applies to the Windows version, as well. And if it doesn’t now, it will eventually. Those fabulous guys over at Literature & Latte are working like an army of ants to get the Windows version all caught up.
How This Book Is Organized
This book is organized into seven major parts that have two or more chapters each. The chapters are split up into even smaller sections. If you’re a complete Scrivener newbie, don’t worry, each section is written as a stand-alone piece that takes you step-by-step through the topic.
No need to read in order. You can jump right to the section about project templates without wading through corkboards and outlines, if you so desire. So, pick a topic, flip — literally or virtually — to the appropriate page, and try something new.
Part I: Getting to Know Scrivener
This part introduces Scrivener and its unique parts. You can find out how to create a new project, find your way around, and work with documents inside your project. Newbies: Start here!
Part II: Meeting the Inspector
This part walks you through the Scrivener Inspector pane’s many features, from the Synopsis, to metadata, to all those buttons at the bottom. You can get the scoop on notes, references, keywords, and snapshots.
Part III: Starting to Write
The chapters in this part deal with getting the words down on virtual paper. They cover the Editor, working in Split Screen mode, Composition (Full Screen) mode, the Corkboard, the Outliner, annotations, and footnotes.
Part IV: Getting Your Manuscript Out There
This part talks about exporting your work from Scrivener. Whether you just need to get a few chapters into Word or the whole book into EPUB format, this part’s for you.
Part V: Customizing Your Scrivener Experience
This part digs into some of the fun and cool features that really make Scrivener shine, such as tracking your progress, custom layouts, creating project templates, and document templates.
Part VI: Getting the Most Out of Scrivener
The chapters in this part introduce you to functions that can make your writing life easier: searching, creating collections, working with revisions, and backing up your work.
Part VII: The Part of Tens
This traditional final part of any For Dummies book contains chapters that introduce you to cool features that didn’t fit anywhere else and gives you ideas on how to find more Scrivener help.
Icons Used in This Book
Where to Go From Here
Dig in! Unless you’re new to Scrivener — and even then — you don’t have to start at page one. I won’t be offended if you don’t read every word I wrote. Well, not too offended.
Go on. Peruse the Table of Contents or the handy index at the back of the book, and find a topic that interests you.
In need of a distraction-free desktop? Chapter 7 can help you find your Zen. Been dying to unravel the mystery of project templates? Investigate Chapter 15. Stumped by exporting and compiling? Part IV can enlighten you.
If, for some reason, you want to know more about me — or contact me — visit my website at www.gwenhernandez.com
. I’d love to know what your favorite Scrivener feature is or how the program helped your writing process.
I hope you enjoy this book. If it helps you use Scrivener to support your unique approach to writing, then I’ve done my job.
Good luck, and write on!
Part I
Getting to Know Scrivener
In this part . . .
When a friend first told me about Scrivener — “gushed enthusiastically” might be a better description — I wondered what writing software could possibly offer that a word processor can’t. So I downloaded the free trial, and three days later, I paid for it, not even waiting for the trial to expire.
I knew I had to have Scrivener in my life.
Word processors are wonderful pieces of software, and they definitely have an important place in a writer’s toolbox, but Scrivener opens up a whole new way of putting together your story, poem, screenplay, dissertation, epic novel, or blog post.
Simply put, Scrivener puts you in charge of how you write. This part of the book introduces you to the fundamentals of this amazing program.
Chapter 1
Getting Started in Scrivener
In This Chapter
Figuring out what you can do with Scrivener
Clarifying the differences between Mac and Windows
Working with keyboard shortcuts
Starting a project
Getting familiar with Scrivener
Thinking about how you write
Parts of Scrivener probably look very familiar to you. The Editor pane, for example, is essentially the built-in word processor. If you’ve been using a computer to write — and not, say, carving stone tablets or working in crayon — then the act of putting down words will be a piece of cake in Scrivener, too. At least, Scrivener makes writing easy from a technical standpoint. It can’t do anything about your muse.
Outside the Editor, however, things look a little different, maybe even a bit confusing. If you’re not already familiar with the Scrivener interface — and maybe even if you think you are — you can use this chapter to make sure you understand the basic terminology fundamental to using Scrivener and get to know Scrivener’s many wonderful parts.
Understanding What Scrivener Is (and Isn’t)
Scrivener’s core purpose is to help you write. It’s not intended to tell you how to write or force you to get the work done. Instead, Scrivener provides an environment in which you can keep your writing, research, character sketches, synopses, outlines, and images in one project file.
You can export your work into many formats and document combinations without affecting the original manuscript. So you can export three chapters to a word processor one minute, and then create an e-book file the next, all without modifying the format in Scrivener. You can write in green, Comic Sans text but export in black, Times New Roman text.
Writing software is all about the experience of writing, not the format of the final text. You can write without distraction in Composition (Full Screen) mode, view multiple scenes at the same time, storyboard by using electronic index cards, or view your work as an outline.
Scrivener was created to support all aspects of the creative process of writing, from inception to final revision, not just the period when you actually lay down the words.
Understanding the Differences between Mac and Windows Versions
Scrivener was originally created for the Mac, but in November 2011, Literature & Latte — the company behind the software — released a much-anticipated version for Windows. At some point, the Windows version is expected to match the capabilities of the Mac version, but at the time of this book’s publication, some features still aren’t available to Windows users.
Take heart, Windows users, because those features will come in time, and the Windows programmers have done a fabulous job of incorporating the most beloved functions of Scrivener. I make note of differences between the two versions whenever I can.
I’m not going to talk about all the functional differences because program updates are frequent and the list would quickly be out of date. The best resource is provided by the Literature & Latte folks at http://literatureandlatte.com/forum
. From this page, click Scrivener for Windows; click Technical Support (Windows) on the Scrivener for Windows page that appears; and on the Technical Support (Windows) page that appears, click Differences between the Mac and Windows Versions.
Although the programmers strive to put menu commands in the same location on both versions, there will always be some disparity because Windows and Mac each have their own rules and standards. For example, Mac software always has a program menu — in this case, the Scrivener menu — whereas Windows doesn’t.
Mac also has a standard menu called Window. Its commands can often be found in the Tools menu on the Windows version. Table 1-1 provides a list of commands that have different locations in the Mac and Windows versions and where to find those commands.
Table 1-1 Menu Locations of Scrivener Commands
Command |
Mac Menu |
Windows Menu |
Preferences |
Scrivener⇒Preferences |
Tools⇒Options |
Customize Toolbar |
Edit |
Tools |
Layouts |
Window |
View |
Scratch Pad |
Window |
Tools |
Looking at Scrivener Keyboard Conventions
Scrivener has a lot of keyboard shortcuts, combinations of keys that activate a menu command when pressed simultaneously. If you’re a mouse hater (but they’re so cute!) or just dread taking your fingers off the keyboard, you’ll love keyboard shortcuts.
Any command that has a keyboard shortcut lists the shortcut next to the item on the menu, as shown in Figure 1-1.
Figure 1-1: Keyboard shortcuts are listed next to their menu items.
The shortcut might look like a lot of gobbledygook, but it’s just a series of keys that can get the job done. Table 1-2 shows the common shortcut characters and their equivalent key.
Creating a Project
Scrivener files are called projects. A Scrivener project is a collection of documents, some of which contain the text of your manuscript; others hold reference materials, photos, notes, and so on. Think of a project like a virtual three-ring binder: You can break up your writing into multiple documents, as well as include supporting notes, documentation, images, and website content, all under the umbrella of a single project file.
In order to get started in Scrivener, you must first create a project, in part because the program saves while you write (two seconds after every pause, by default!). To save your work automatically, it must already know the name of the file and where the file is stored on your computer.
If you’ve never used Scrivener before, or you closed all open projects last time you used it, Scrivener brings up the Project Templates window when you open it. You can also open the Project Templates window by choosing File⇒New Project.
Choosing the right template
A template is kind of like a new house purchased from a builder. You and your neighbor might buy the same model, but then you add your own paint colors, window dressing, flooring, fixtures, and landscaping. The neighbors might prefer antique furnishings, but your house is full of glass and steel. They might choose white siding, where you choose brick. They have garden gnomes, and you have a gazing ball. They . . . well, you get the idea.
Same template, different results.
The same is true in Scrivener. Each project template gives you a starting point from which to customize the project for your needs so that you don’t have to start from scratch. In fact, in Part V of this book, you can find out how to create and save your own templates for use with future projects.
The Project Templates window is organized into tabs for each template type, as shown in Figure 1-2.
Figure 1-2: The Project Templates window.
Click a tab to see the templates associated with that type. A pane at the bottom of the Project Templates window displays a short description of any template when you select it. Choose the template that most closely matches the type of project you’re working on. Then, you can mold that template to meet your needs, with the help of this book.
For the examples in this book, I use a project based on the Novel template. For those working in non-fiction, the General Non-Fiction template provides a close match to the figures in this book.
Naming your project
After you select a template, click the Choose button. Scrivener opens the Save As window and prompts you to enter a filename. (Windows users: The Save As section is in the New Project window. Select a filename, click Browse to choose a location, and then click Create.)
Consider these facts when naming your file:
Scrivener uses the filename as the project name. If you select certain templates, the project name is automatically inserted into the title page and into the header when you export the project (to print the manuscript, convert it to an e-book, and so on). However, you can change the project name manually or rename the project file at a later time.
Be sure to give the project a name that you can easily find again later. If your manuscript is a novel about a man who shape-shifts into a rabbit when he visits the planet Lotharia, you might not want to call it Project1. The working title doesn’t need to be perfect, just something that makes the file easy to locate after you let it sit for a year to work on that zombie private-investigator mash-up that was nagging at you.
Determining where to save your project
After you figure out the project’s name — at least, for now — you need to determine where to save your project. Because I’m excruciatingly organized — well, on my computer, anyway — I have a writing folder that contains subfolders for each major project.
Of course, the Documents folder may serve your needs just as well.
If your Save As window shows only the Save As text box and the Where drop-down list, don’t fret. You can access more locations simply by clicking the Expansion button (which displays an arrow pointing down if the window isn’t expanded) to the right of the Save As text box. Figure 1-3 shows the Expansion button after the window expands (with the arrow now pointing up). Windows users, click the Browse button in the New Project window to choose a location.
Figure 1-3: Clicking the Expansion button provides more options for locations to save your file.
Now, simply select a location by clicking the desired folder in the list on the left. If needed, choose subsequent subfolders until you reach your destination folder. Then click Create.
Understanding the Scrivener Interface
When Scrivener first opens your new project, you can immediately see that this program is more than a word processor. Don’t be alarmed by all the stuff that appears. Hopefully, after you understand what all these pieces and parts can do for you, you think of them merely as more to love.
The following sections provide an overview of the major elements of the Scrivener workspace, and the remaining chapters in this part and all the chapters in Part II are devoted to explaining each element in more detail.
Figure 1-4 names the major components for you. Don’t worry about what they all mean. Unless you have a photographic memory, just keep a thumb, or maybe a sticky note, tucked into this page so that you can refer to it, as needed.
Figure 1-4: The Scrivener workspace.
Menu bar
Across the top of your window is the menu bar. The menu bar, aptly named as it is, provides an organized menu of the program’s commands. Although many of the menu commands have shortcuts, via keyboard or button, almost anything you need to do is available in one of the menus.
Each menu is organized into groups of menus and submenus that, mostly, make sense. So, commands that relate to working with a project file in a generic sense — such as opening a new project or saving the current one — are listed in the File menu.
Toolbar
The toolbar lives below the menu bar. At the top-center of the toolbar, Scrivener displays the project title followed by the active document name. (The Windows version doesn’t display the project name in the toolbar, only the project title in the title bar, which appears above the menu bar.) Beneath the title, you find a row of colorful buttons for some of the most commonly used menu commands. To see the name of each button, hover your pointer over it for a second. A small tooltip pops up with the button name.
If you find hovering tiresome, Mac users can turn on text for the button icons by going to View⇒Customize Toolbar. At the bottom-left of the Customize Toolbar window that appears, select Icons and Text from the Show drop-down list, as shown in Figure 1-5. In this window, you can also decide which buttons to display in the toolbar by dragging them from the field of buttons into the toolbar.
Figure 1-5: The Customize Toolbar window provides toolbar display options.
Binder
The purpose of the Binder is to help you navigate and organize your documents. If it’s not visible, go to View⇒Layout⇒Show Binder or click the Binder button in the toolbar.
Much like Finder (or Windows Explorer) does for your computer, the Binder provides access to all the files located within your project and keeps those files organized in an easy-to-see, hierarchical fashion. But even more, the Binder gives you an outline view of your manuscript.
Documents can be organized into folders (which may have a folder icon or some other icon) and multiple levels of subfolders, if desired.
For example, in the Manuscript folder (which is called Draft in the Scrivener User Manual and goes by other names, depending on which template you choose), you store all the documents you want to include in your final manuscript. If you want, you can break up your project into four parts in the Manuscript folder, with chapter folders within each part that contain the scene documents for each chapter. Try finding an easy way to do that in a word processor!
Or, within the Research folder, you might add subfolders to help further classify your research by type (for example, firearms, weather, period costumes, police procedure, plants). You can store photos, PDFs, and website archives in the Research (or another) folder, but not in the Manuscript folder, which is for text only.
The beauty is that you choose how to set up your project. You can rearrange items in the Binder at any time to change their levels, or assign them to different folders. You can collapse and expand files for an outline-like view of your project, easily move items around, rename them, group them into folders and subfolders, and even color-code them. The Binder can also be hidden if you find it distracting.
Chapter 2 provides a full explanation of the Binder.
Editor
The Editor sits at center stage in Scrivener, and it’s the part that probably seems the most familiar to you. It’s the text-editing part of Scrivener — the part where you do the actual writing. Just like a word processor, it contains a formatting bar at the top, a ruler (which may or may not be visible initially), and a blank space for adding your words.
If you chose a template other than Blank, your new project displays a description of the template and how it’s set up. This is a handy reference that sits at the top of the Binder unless you delete it, so you may want to keep it until you get the hang of things.
Within the Editor pane, you have access to several views: Document/Scrivenings (which displays the text editor), Corkboard (index cards), and Outliner.
The Editor has plenty of tricks up its virtual sleeve, which are covered in Part III of this book.
Inspector
The Inspector isn’t a police detective — but for many new users, it’s a bit of a mystery. Located at the far-right of the Scrivener window, the Inspector is a common feature in Mac-based programs, but exists in the Windows version, as well. If it’s not visible, choose View⇒Layout⇒Show Inspector or click the Inspector button in the toolbar.
The Inspector displays all sorts of extra information — known as metadata — about the items in your Binder and allows you to modify a lot of that information. If each scene, chapter, or section within your project were a cereal box, your written text would be the chocolaty rice puffs inside, and the Inspector would be all the information on the outside of the box. (Anyone else hungry?)
When you first start Scrivener, the Inspector displays the Synopsis, general metadata, and notes for whichever document is selected in the Binder:
Synopsis: The top portion of the pane. You can type a brief summary or outline of that scene, chapter, part, image, or whatever can help remind you what it’s about. When you work with the Corkboard (which I describe in Chapter 8), you can see that the index card contents are pulled from the Synopsis section.
General: Located in the middle of the Inspector pane, you store other information about the file here.
Document/Project Notes: This bottom section of the Inspector pane lets you record notes or reminders about the document.
If you want more room to write, or just less clutter in general, you can hide the Inspector by clicking the Inspector button in the toolbar or choosing View⇒Layout⇒Hide Inspector.
Want to investigate the Inspector’s many secrets? Part II of this book is devoted entirely to solving the puzzle of the Inspector.
Determining Your Writing Style
Whether you sit down in front of a blank piece of paper with only the spark of an idea or you create an 80-page outline complete with a storyboard and photos of all your characters before you write, Scrivener accommodates you.
The aforementioned people who write by the seat of their pants — so-called pantsers — might start writing, get to the logical end of the scene, and then start a new document for another scene, whether next in order or not.
Plotters, on the other hand — those who live and die by the outline — might start their process in the Corkboard (Chapter 8) or Outliner (Chapter 9), creating a title and brief synopsis for each scene, moving the scenes around until the order is just right, and then, after setting the storyline, begin filling in the actual text of the story.
Perhaps, like me, you’re somewhere in between. It might even change from one manuscript or type of project to the next. The real beauty here is that you don’t have to stick with one style. Pantsing your way through and got stuck? Try playing with your scenes in the Corkboard. Had a perfect outline, but your characters protested your “all is lost” moment in the plot? Try opening a blank document and free-writing your way through it.
There’s no right or wrong style, only your style. And no matter what style works for you, Scrivener has your back.