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Scrivener For Dummies®

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Table of Contents

Introduction
Conventions Used in This Book
What You’re Not to Read
Foolish Assumptions
How This Book Is Organized
Part I: Getting to Know Scrivener
Part II: Meeting the Inspector
Part III: Starting to Write
Part IV: Getting Your Manuscript Out There
Part V: Customizing Your Scrivener Experience
Part VI: Getting the Most Out of Scrivener
Part VII: The Part of Tens
Icons Used in This Book
Where to Go From Here
Part I: Getting to Know Scrivener
Chapter 1: Getting Started in Scrivener
Understanding What Scrivener Is (and Isn’t)
Understanding the Differences between Mac and Windows Versions
Looking at Scrivener Keyboard Conventions
Creating a Project
Choosing the right template
Naming your project
Determining where to save your project
Understanding the Scrivener Interface
Menu bar
Toolbar
Binder
Editor
Inspector
Determining Your Writing Style
Chapter 2: Organizing Your Work with the Binder
Understanding Files and Folders in Scrivener
Working with the Root Folders
Building Your Scrivener Project
Adding a text document
Adding a folder
Creating a folder at the root level
Importing files
Working with Scrivener Items
Renaming an item
Moving Binder items
Grouping items
Changing folder and file icons
Splitting and merging documents
Deleting files and folders
Part II: Meeting the Inspector
Chapter 3: Working with the Synopsis
Understanding the Synopsis
Populating the Synopsis
Renaming an item
Adding text
Adding an image
Deleting an image
Chapter 4: Tracking Scene Elements with Metadata
Navigating the General Meta-Data Section
Working with the Label and Status Fields
Changing the field name
Deleting existing values
Adding new values
Editing existing values
Changing value colors
Rearranging the list of values
Setting a default value
Assigning Label and Status Values
Assigning a value from the Inspector
Assigning a value with the contextual menu
Using Label Colors to Distinguish Items
Chapter 5: Working with Document Support Panes
Looking at the Document Support Panes
Taking Notes
Comparing project and document notes
Entering notes
Modifying notes
Adding an image to notes
Managing project notes
Getting the Skinny on References
Linking to Reference Material
Adding an internal reference
Adding an external reference
Editing and deleting a reference
Viewing a reference
Assigning Keywords
Comparing keywords to other metadata
Adding a keyword to an item
Applying an existing keyword to a file
Removing a keyword from an item
Working with the Project Keywords Window
Applying keywords
Finding items by keyword
Adding a keyword to the project
Changing the keyword color
Modifying a keyword
Deleting a keyword
Creating Custom Metadata
Adding a custom metadata field
Adding a value
Modifying a value
Deleting a custom metadata field
Looking at the Remaining Document Support Options
Snapshots
Comments and Footnotes
Locking the Inspector
Part III: Starting to Write
Chapter 6: Introducing the Editor: Where the Magic Happens
Dissecting the Editor
The Format bar
The Header bar
The Footer bar
The Ruler
Seeing Double with Split Screen Mode
Splitting the screen
Adding a file to the split screen
Locking the Editor
Selecting the active document in the Binder
Locking the Inspector pane
Splitting the Editor vertically
Using QuickReference Panels
Using Scrivenings Mode to View Documents Together
Checking Your Spelling and Grammar
Chapter 7: Getting Rid of Distractions with Composition Mode
Comparing Composition Mode to the Full Screen Function
Entering Composition Mode
Personalizing the Composition Mode Experience
Using the menu bar and control strip
Adjusting Composition mode settings
Changing Composition mode settings for all projects
Working in Composition Mode
Viewing the Inspector Panel
Chapter 8: Planning Your Project with the Corkboard
Viewing the Corkboard
Understanding Index Card Elements
Default elements
Optional elements
Working in the Corkboard
Modifying the Corkboard Layout
Understanding the Types of Corkboards
Linear Corkboard
Freeform Corkboard
Stacked Corkboards
Adding a New Document in the Corkboard
Viewing the Corkboard in Split Screen
Modifying the Corkboard Preferences
Printing Index Cards
Chapter 9: Getting a High-Level View of Your Project with the Outliner
Accessing the Outliner
Arranging the Outliner
Expanding and collapsing items
Adding and removing columns
Adjusting column width
Moving items within the Outliner
Sorting by column
Hiding and showing the Synopsis
Editing in the Outliner
Viewing Your Outline in Split Screen
Printing Your Outline
Exporting Your Outline to a Spreadsheet
Chapter 10: Marking Up Your Text with Inline Annotations and Comments
Using Inline Annotations to Insert Notes into Your Text
Creating an annotation
Changing annotation color
Splitting an annotation
Searching for an annotation
Editing and deleting an annotation
Converting annotations to comments
Stripping all notations from a document
Using Comments to Create Linked Notes in the Sidebar
Adding a comment
Editing and deleting a comment
Changing the comment color
Using comments to navigate a document
Moving a comment
Converting a comment to an inline annotation
Exporting Comments and Annotations
Chapter 11: Citing Your Sources with Footnotes
Understanding the Types of Footnotes
Linked footnotes
Inline footnotes
Adding a Footnote
Adding a linked footnote
Using footnote markers
Adding an inline footnote
Adding a referenced footnote
Editing or Deleting a Footnote
Stripping All Notations from a Document
Importing and Exporting with Footnotes
Part IV: Getting Your Manuscript Out There
Chapter 12: Setting Up the Compile Options
Deciding on a Format and Output Type
Predefined compile formats
Output types
Accessing the Compilation Options
Choosing which Documents to Export
Choosing contents by individual selection
Choosing contents by predetermined selection
Narrowing contents with a filter
Overriding the contents list selections
Adding front matter to the compilation
Formatting the Compiled Output
Understanding the Structure and Content table
Changing the final format with the Formatting Editor
Working with Some Helpful Format Options
Forcing one font for the entire compilation
Forcing a page break before a document
Preserving the format of a document
Customizing the transitions between Binder items with separators
Inserting a separator when an empty line falls on a page break
Adding an end-of-text marker
Formatting your output into columns
Removing footnotes from compiled output
Converting footnotes to endnotes
Exporting comments and annotations for use in Word
Exporting comments and annotations as inline comments
Setting the margins
Adjusting how word and character counts are calculated
Customizing Headers and Footers
Adding or modifying a header or footer
Using a different first page header or footer
Starting the page count on the first page
Making Text Conversions
Converting special characters to plain-text versions
Changing character formatting
Formatting Your E-Book
Adding a cover
Adding document properties for e-books
Increasing the navigation dots on the Kindle progress bar
Setting Up Scripts for Export
Chapter 13: Exporting Your Project with Compile
Compiling Your Project
Viewing and Previewing the Output
Saving and Resetting Compile Settings
Saving compile settings without compiling the project
Resetting the compile settings
Creating and Deleting Compile Format Presets
Saving your compile settings as a custom format
Deleting a custom compile format
Revealing or hiding compile presets
Exporting for E-Books
Compiling for ePub
Validating your ePub file
Compiling for Kindle
Previewing your Kindle file
Exporting Special Types of Output
Creating an outline without numbering
Compiling a list of document notes
Part V: Customizing Your Scrivener Experience
Chapter 14: Setting Word Count Goals and Checking Progress
Working with Project Targets
Setting a draft and session target
Resetting the session count
Adjusting the target options
Adding Targets to a Document
Checking Project Statistics
Changing Project Statistics Options
Using Text Statistics to View Word Frequency
Tracking Productivity
Chapter 15: Saving Time with Custom Layouts and Project Templates
Customizing Your Workspace with Layouts
Saving the current layout
Creating a new layout
Applying a layout to your workspace
Modifying a layout
Deleting a layout
Exporting a layout
Importing a layout
Saving Time on Future Projects with Custom Project Templates
Creating and saving a custom project template
Working with project templates
Chapter 16: Creating Useful Forms with Document Templates
Viewing Existing Document Templates
Creating a Document from a Document Template
Editing a Document Template
Creating a Custom Template
Working with the Document Templates Folder
Removing the template folder designation
Designating a templates folder
Changing the Default New Document Type
Part VI: Getting the Most Out of Scrivener
Chapter 17: Searching High and Low
Working with Project Search
Searching a project
Choosing which elements to search
Limiting the search results
Examining other search options
Using Project Replace
Running Document Find and Replace
Using Document Find
Viewing recent searches
Working with Document Replace
Finding by Format
Marking the Spot with Bookmarks
Adding a bookmark
Adding a bookmark header
Navigating to bookmarks
Chapter 18: Creating Collections for Quick Access to Related Files
Looking at the Types of Collections
Working with Standard Collections
Creating a standard collection
Adding an item to a standard collection
Removing a file from a standard collection
Reorganizing a standard collection
Moving reordered collection items back to the Binder
Changing the collection color
Creating a Search Collection
Working with the Search Results Collection
Converting a Saved Search Collection to a Standard Collection
Renaming a Collection
Removing a Collection
Viewing a Collection as a Container
Showing the Label and Status Columns in the Collections List
Chapter 19: Saving Versions of Your Files with Snapshots
Creating a Snapshot
Viewing Snapshots in the Sidebar
Creating Titled Snapshots
Sorting Snapshots
Comparing Snapshots
Viewing comparisons in the sidebar
Viewing comparisons in a split screen without markups
Viewing comparisons in a split screen with markups
Changing Compare settings
Rolling Back to a Previous Document Version
Deleting a Snapshot
Setting Up Automatic Snapshots
Chapter 20: Tracking Your Revisions
Marking Text
Marking text with a new level
Marking existing text
Marking text for deletion
Finding Revisions
Removing Revisions
Removing revisions by color
Removing all revision levels
Changing Revision Mode Colors
Compiling with Marked Revisions
Chapter 21: Protecting Your Work with Automatic and Manual Backups
Understanding the Importance of Backups
Setting Up Automatic Backup Preferences
Excluding a Project from Automatic Backup
Forcing a Manual Backup
Restoring a Project from a Backup File
Part VII: The Part of Tens
Chapter 22: Ten Awesome Features That Didn’t Fit Anywhere Else
Showing Invisible Characters
Copying Files between Projects
Taking Notes with the Scratch Pad
Looking at the Editor in Page View
Appending Text to a Document
Creating Links between Documents in a Project
Inserting a link with a title
Converting existing text to a link
Removing a link
Changing link behavior
Inserting a Table of Contents
Sorting Paragraphs
Making Duplicates of Binder Items
Duplicate with subdocuments
Duplicate without subdocuments
Naming Names
Chapter 23: Ten Ways to Get More Help
Getting Interactive with the Tutorial
Using the User Manual
Letting the Template Be Your Guide
Watching Online Video Tutorials
Finding Your Answers in the Forum
Searching for Answers on the FAQ page
Checking Out the Scrivener Support Page
E-Mailing Technical Support
Revving the Search Engine
Schmoozing
Cheat Sheet

Scrivener For Dummies®

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About the Author

Gwen Hernandez began working with Scrivener in 2009 and created a series of blog posts to share its lesser-known features with her writing friends. Encouraged by her growing community of followers, she developed a popular Scrivener online class that’s offered several times a year.

With a degree in Management Information Systems, Gwen started her professional life as a programmer and then transitioned to teaching technology and business courses. She changed tack with an advanced degree, working as a manufacturing engineer in a semiconductor plant — yes, she wore a “bunny suit” — before rediscovering her childhood passion for writing.

When Gwen’s not teaching classes about Scrivener, she uses it to spin tales of romance and suspense, and every once in a while, someone actually likes reading them. In 2011, she was a finalist in the Romance Writers of America’s Golden Heart® contest.

As a military brat and Air Force spouse, Gwen isn’t sure she’ll ever be able to settle down, but she currently resides in northern Virginia with her husband, two boys, and a lazy golden retriever. She loves to travel, run, explore, learn, and relax in her favorite recliner with a good book. Find her online at www.gwenhernandez.com.

Dedication

For my mom, who would have smiled proudly and bought me a houseplant.

Author’s Acknowledgments

Many hugs to my husband and boys for their unwavering — though not without some eye rolling — support. I love you guys!

Thanks to Christine Glover for introducing me to Scrivener. Bet you didn’t think your first mention from me would be in a technical book.

I’d be remiss if I didn’t add my appreciation for the blog readers and students who’ve encouraged me along the way. Your support and enthusiasm mean the world to me.

I owe Keith, Ioa, Jennifer, and Lee at Literature & Latte a huge debt of gratitude for pointing out technical errors, providing examples and suggestions, and keeping me up to date on what’s coming next. Any mistakes or omissions are not for their lack of effort. Their help with this book was invaluable.

To Keith Blount and the whole Literature & Latte crew, thanks for your dedication to making — and keeping — Scrivener so fabulous. And to David who’s always generous in spreading the word.

Finally, I have to add my thanks to the entire Wiley team who worked so hard on this book, especially Laura Miller, who tweaked and questioned and clarified, and made this book so much better than I could have on my own, and Chris Webb who believed in me enough to let me tackle this project.

Publisher’s Acknowledgments

We’re proud of this book; please send us your comments at http://dummies.custhelp.com. For other comments, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002.

Some of the people who helped bring this book to market include the following:

Acquisitions and Editorial

Project Editor: Laura K. Miller

Acquisitions Editor: Chris Webb

Assistant Editor: Ellie Scott

Copy Editor: Laura K. Miller

Technical Editors: Keith Blount, Ioa Petra’ka

Editorial Manager: Jodi Jensen

Senior Project Editor: Sara Shlaer

Editorial Assistant: Leslie Saxman

Cover image: © Literature & Latte

Cartoons: Rich Tennant (www.the5thwave.com)

Composition Services

Sr. Project Coordinator: Kristie Rees

Layout and Graphics: Jennifer Creasey

Proofreaders: The Well-Chosen Word

Indexer: Valerie Haynes Perry

UK Tech Publishing

Michelle Leete, VP Consumer and Technology Publishing Director

Martin Tribe, Associate Director–Book Content Management

Chris Webb, Associate Publisher

Marketing

Louise Breinholt, Associate Marketing Director

Lorna Mein, Marketing Manager

Kate Parrett, Senior Marketing Executive

Publishing and Editorial for Technology Dummies

Richard Swadley, Vice President and Executive Group Publisher

Andy Cummings, Vice President and Publisher

Mary Bednarek, Executive Acquisitions Director

Mary C. Corder, Editorial Director

Publishing for Consumer Dummies

Kathleen Nebenhaus, Vice President and Executive Publisher

Composition Services

Debbie Stailey, Director of Composition Services

Introduction

If writing tools were teachers, your word processor would be the one who admonishes you to color within the lines and always use green for grass. Scrivener would be the cool teacher who encourages you to draw your own picture and praises your purple sun.

Don’t get me wrong: Word processors have their place. But although they provide the tools to make your manuscript look pretty, they force you to write in a linear fashion that just doesn’t match the way many writers work.

Scrivener, on the other hand, is so flexible, it could teach yoga. The program bends over backwards to accommodate your writing needs. Want to write the ending first? Go for it! Want to look only at scenes from one character or storyline? No problem.

Scrivener’s flexibility makes it powerful — but sometimes a bit overwhelming, which is where this book comes in. In these pages, you can figure out many of Scrivener’s jaw-dropping moves so that, before long, you too can bend like a pretzel in pursuit of writerly nirvana.

Conventions Used in This Book

This book is not a philosophical work on the theory and value of writing software. In my house, that kind of book would be a doorstop.

No, this book is a hands-on, get-to-work teacher on the page. So, to try out any of the actions described, you have to get your hands on the keyboard and mouse (or trackpad).

With that in mind, you need to have a few skills:

check.png Clicking: You need to know how to click, double-click, and right-click with your mouse or trackpad. Right-clicking opens up a whole new world of contextual menus that apply to whatever you’re working on. Also called a secondary click, you can Control-click on the Mac if your mouse isn’t set up to right-click.

check.png Drag and drop: You’ll be dragging things around a lot in this book — but I promise nothing heavy. Dragging is accomplished by clicking an object and holding the mouse button down while moving the pointer on the screen. You drop by letting go of the mouse button.

Don’t know how to drag with a trackpad? While hovering the pointer over the selected items, click the trackpad and hold it down while using another finger to drag the items where you want them to go. (I usually click with my thumb and drag with my index finger, but use whatever feels comfortable to you.)

To make reading easier, you’ll see some of the following conventions used throughout the book:

check.png A keyboard shortcut is represented like this: +V. This text means that you press and hold the key and type the letter V, then release both keys.

Some keyboard shortcuts are combinations of more than two keys, such as Shift++S. For this one, press and hold Shift and , and then type the letter S. Then release all three keys.

check.png Menu commands are written like Project⇒New Text, which tells you to click Project to open the Project menu and choose New Text from that menu.

check.png Web addresses appear like www.literatureandlatte.com.

check.png When I want to show you a message or text that appears in the editing portion of Scrivener, it looks like this: Bob didn’t know what to do next. Should he buy a gun or a beer?

check.png When I’m directing you to type specific text, it appears in bold. For example, I might tell you to type Bob didn’t know what to do next.

Windows users, have no fear. Although Scrivener was originally created for the Mac — and at this time, the Mac version is still the most advanced — much of this book still applies to the Windows version, too.

For more on the key differences between Scrivener for Mac and Scrivener for Windows, check out Chapter 1.

What You’re Not to Read

Unless you really, really want to, you don’t have to read this book from cover to cover. Each section and chapter is designed as a freestanding module so that you can dip in anywhere and get right to work.

Foolish Assumptions

We all know what assumptions do, but in order to write this book, I had to make a few anyway. For starters, I assumed that you have some fundamental skills with your computer, such as turning it on, starting a program, using a mouse, and accessing and saving files.

In addition, I assumed you’ve at least used a word processor before — whether Microsoft Word, Corel WordPerfect, Apple Pages, or something else — so you have some familiarity with selecting text, basic formatting (such as font, font size, justification, and spacing), and keyboard use.

Not only that, but because this book is about a piece of writing software, I figured you write something. I know, dangerous, right? Really, I don’t care if it’s a 1,000-page futuristic mystery about flying snakes or weekly letters to your grandmother. It’s all writing. Academic papers, news articles, recipes, and diaries count, too.

Finally, I reasoned that you actually want to find out Scrivener’s secrets. Whether you’ve been playing with it for years without digging into what it can really do, or you just heard from a friend that Scrivener was the best thing to happen to writers since the ballpoint pen and you want to know what all of the fuss is about, there’s a reason you picked up this book.

When I use the word Scrivener, I’m referring to Scrivener 2 for Mac — and specifically for Mac OS X Lion — but much of the information I provide applies to the Windows version, as well. And if it doesn’t now, it will eventually. Those fabulous guys over at Literature & Latte are working like an army of ants to get the Windows version all caught up.

How This Book Is Organized

This book is organized into seven major parts that have two or more chapters each. The chapters are split up into even smaller sections. If you’re a complete Scrivener newbie, don’t worry, each section is written as a stand-alone piece that takes you step-by-step through the topic.

No need to read in order. You can jump right to the section about project templates without wading through corkboards and outlines, if you so desire. So, pick a topic, flip — literally or virtually — to the appropriate page, and try something new.

Part I: Getting to Know Scrivener

This part introduces Scrivener and its unique parts. You can find out how to create a new project, find your way around, and work with documents inside your project. Newbies: Start here!

Part II: Meeting the Inspector

This part walks you through the Scrivener Inspector pane’s many features, from the Synopsis, to metadata, to all those buttons at the bottom. You can get the scoop on notes, references, keywords, and snapshots.

Part III: Starting to Write

The chapters in this part deal with getting the words down on virtual paper. They cover the Editor, working in Split Screen mode, Composition (Full Screen) mode, the Corkboard, the Outliner, annotations, and footnotes.

Part IV: Getting Your Manuscript Out There

This part talks about exporting your work from Scrivener. Whether you just need to get a few chapters into Word or the whole book into EPUB format, this part’s for you.

Part V: Customizing Your Scrivener Experience

This part digs into some of the fun and cool features that really make Scrivener shine, such as tracking your progress, custom layouts, creating project templates, and document templates.

Part VI: Getting the Most Out of Scrivener

The chapters in this part introduce you to functions that can make your writing life easier: searching, creating collections, working with revisions, and backing up your work.

Part VII: The Part of Tens

This traditional final part of any For Dummies book contains chapters that introduce you to cool features that didn’t fit anywhere else and gives you ideas on how to find more Scrivener help.

Icons Used in This Book

tip.eps Tips alert you to helpful information or timesaving shortcuts.

remember.eps The Remember icon calls your attention to important ideas to keep in mind while performing a task.

technicalstuff.eps This icon points out extra tidbits for your inner computer geek. Helpful, but not strictly necessary to know, you can skip these if they make your eyes cross.

warning_bomb.eps I use the Warning icon sparingly, but when you see it, take notice. It calls your attention to potential pitfalls.

Where to Go From Here

Dig in! Unless you’re new to Scrivener — and even then — you don’t have to start at page one. I won’t be offended if you don’t read every word I wrote. Well, not too offended.

Go on. Peruse the Table of Contents or the handy index at the back of the book, and find a topic that interests you.

In need of a distraction-free desktop? Chapter 7 can help you find your Zen. Been dying to unravel the mystery of project templates? Investigate Chapter 15. Stumped by exporting and compiling? Part IV can enlighten you.

If, for some reason, you want to know more about me — or contact me — visit my website at www.gwenhernandez.com. I’d love to know what your favorite Scrivener feature is or how the program helped your writing process.

I hope you enjoy this book. If it helps you use Scrivener to support your unique approach to writing, then I’ve done my job.

Good luck, and write on!

Part I

Getting to Know Scrivener

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In this part . . .

When a friend first told me about Scrivener — “gushed enthusiastically” might be a better description — I wondered what writing software could possibly offer that a word processor can’t. So I downloaded the free trial, and three days later, I paid for it, not even waiting for the trial to expire.

I knew I had to have Scrivener in my life.

Word processors are wonderful pieces of software, and they definitely have an important place in a writer’s toolbox, but Scrivener opens up a whole new way of putting together your story, poem, screenplay, dissertation, epic novel, or blog post.

Simply put, Scrivener puts you in charge of how you write. This part of the book introduces you to the fundamentals of this amazing program.

Chapter 1

Getting Started in Scrivener

In This Chapter

arrow Figuring out what you can do with Scrivener

arrow Clarifying the differences between Mac and Windows

arrow Working with keyboard shortcuts

arrow Starting a project

arrow Getting familiar with Scrivener

arrow Thinking about how you write

Parts of Scrivener probably look very familiar to you. The Editor pane, for example, is essentially the built-in word processor. If you’ve been using a computer to write — and not, say, carving stone tablets or working in crayon — then the act of putting down words will be a piece of cake in Scrivener, too. At least, Scrivener makes writing easy from a technical standpoint. It can’t do anything about your muse.

Outside the Editor, however, things look a little different, maybe even a bit confusing. If you’re not already familiar with the Scrivener interface — and maybe even if you think you are — you can use this chapter to make sure you understand the basic terminology fundamental to using Scrivener and get to know Scrivener’s many wonderful parts.

Understanding What Scrivener Is (and Isn’t)

Scrivener’s core purpose is to help you write. It’s not intended to tell you how to write or force you to get the work done. Instead, Scrivener provides an environment in which you can keep your writing, research, character sketches, synopses, outlines, and images in one project file.

You can export your work into many formats and document combinations without affecting the original manuscript. So you can export three chapters to a word processor one minute, and then create an e-book file the next, all without modifying the format in Scrivener. You can write in green, Comic Sans text but export in black, Times New Roman text.

Writing software is all about the experience of writing, not the format of the final text. You can write without distraction in Composition (Full Screen) mode, view multiple scenes at the same time, storyboard by using electronic index cards, or view your work as an outline.

Scrivener was created to support all aspects of the creative process of writing, from inception to final revision, not just the period when you actually lay down the words.

Understanding the Differences between Mac and Windows Versions

Scrivener was originally created for the Mac, but in November 2011, Literature & Latte — the company behind the software — released a much-anticipated version for Windows. At some point, the Windows version is expected to match the capabilities of the Mac version, but at the time of this book’s publication, some features still aren’t available to Windows users.

Take heart, Windows users, because those features will come in time, and the Windows programmers have done a fabulous job of incorporating the most beloved functions of Scrivener. I make note of differences between the two versions whenever I can.

I’m not going to talk about all the functional differences because program updates are frequent and the list would quickly be out of date. The best resource is provided by the Literature & Latte folks at http://literatureandlatte.com/forum. From this page, click Scrivener for Windows; click Technical Support (Windows) on the Scrivener for Windows page that appears; and on the Technical Support (Windows) page that appears, click Differences between the Mac and Windows Versions.

Although the programmers strive to put menu commands in the same location on both versions, there will always be some disparity because Windows and Mac each have their own rules and standards. For example, Mac software always has a program menu — in this case, the Scrivener menu — whereas Windows doesn’t.

Mac also has a standard menu called Window. Its commands can often be found in the Tools menu on the Windows version. Table 1-1 provides a list of commands that have different locations in the Mac and Windows versions and where to find those commands.

Table 1-1 Menu Locations of Scrivener Commands

Command

Mac Menu

Windows Menu

Preferences

Scrivener⇒Preferences

Tools⇒Options

Customize Toolbar

Edit

Tools

Layouts

Window

View

Scratch Pad

Window

Tools

Looking at Scrivener Keyboard Conventions

Scrivener has a lot of keyboard shortcuts, combinations of keys that activate a menu command when pressed simultaneously. If you’re a mouse hater (but they’re so cute!) or just dread taking your fingers off the keyboard, you’ll love keyboard shortcuts.

Any command that has a keyboard shortcut lists the shortcut next to the item on the menu, as shown in Figure 1-1.

Figure 1-1: Keyboard shortcuts are listed next to their menu items.

9781118312476-fg0101.tif

The shortcut might look like a lot of gobbledygook, but it’s just a series of keys that can get the job done. Table 1-2 shows the common shortcut characters and their equivalent key.

Table 1-2 Keyboard Shortcut Characters

tip.eps In Windows, the Return key is called Enter.

Creating a Project

Scrivener files are called projects. A Scrivener project is a collection of documents, some of which contain the text of your manuscript; others hold reference materials, photos, notes, and so on. Think of a project like a virtual three-ring binder: You can break up your writing into multiple documents, as well as include supporting notes, documentation, images, and website content, all under the umbrella of a single project file.

In order to get started in Scrivener, you must first create a project, in part because the program saves while you write (two seconds after every pause, by default!). To save your work automatically, it must already know the name of the file and where the file is stored on your computer.

If you’ve never used Scrivener before, or you closed all open projects last time you used it, Scrivener brings up the Project Templates window when you open it. You can also open the Project Templates window by choosing File⇒New Project.

Choosing the right template

A template is kind of like a new house purchased from a builder. You and your neighbor might buy the same model, but then you add your own paint colors, window dressing, flooring, fixtures, and landscaping. The neighbors might prefer antique furnishings, but your house is full of glass and steel. They might choose white siding, where you choose brick. They have garden gnomes, and you have a gazing ball. They . . . well, you get the idea.

Same template, different results.

The same is true in Scrivener. Each project template gives you a starting point from which to customize the project for your needs so that you don’t have to start from scratch. In fact, in Part V of this book, you can find out how to create and save your own templates for use with future projects.

The Project Templates window is organized into tabs for each template type, as shown in Figure 1-2.

Figure 1-2: The Project Templates window.

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Click a tab to see the templates associated with that type. A pane at the bottom of the Project Templates window displays a short description of any template when you select it. Choose the template that most closely matches the type of project you’re working on. Then, you can mold that template to meet your needs, with the help of this book.

For the examples in this book, I use a project based on the Novel template. For those working in non-fiction, the General Non-Fiction template provides a close match to the figures in this book.

Naming your project

After you select a template, click the Choose button. Scrivener opens the Save As window and prompts you to enter a filename. (Windows users: The Save As section is in the New Project window. Select a filename, click Browse to choose a location, and then click Create.)

Consider these facts when naming your file:

check.png Scrivener uses the filename as the project name. If you select certain templates, the project name is automatically inserted into the title page and into the header when you export the project (to print the manuscript, convert it to an e-book, and so on). However, you can change the project name manually or rename the project file at a later time.

check.png Be sure to give the project a name that you can easily find again later. If your manuscript is a novel about a man who shape-shifts into a rabbit when he visits the planet Lotharia, you might not want to call it Project1. The working title doesn’t need to be perfect, just something that makes the file easy to locate after you let it sit for a year to work on that zombie private-investigator mash-up that was nagging at you.

Determining where to save your project

After you figure out the project’s name — at least, for now — you need to determine where to save your project. Because I’m excruciatingly organized — well, on my computer, anyway — I have a writing folder that contains subfolders for each major project.

Of course, the Documents folder may serve your needs just as well.

If your Save As window shows only the Save As text box and the Where drop-down list, don’t fret. You can access more locations simply by clicking the Expansion button (which displays an arrow pointing down if the window isn’t expanded) to the right of the Save As text box. Figure 1-3 shows the Expansion button after the window expands (with the arrow now pointing up). Windows users, click the Browse button in the New Project window to choose a location.

Figure 1-3: Clicking the Expansion button provides more options for locations to save your file.

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Now, simply select a location by clicking the desired folder in the list on the left. If needed, choose subsequent subfolders until you reach your destination folder. Then click Create.

Understanding the Scrivener Interface

When Scrivener first opens your new project, you can immediately see that this program is more than a word processor. Don’t be alarmed by all the stuff that appears. Hopefully, after you understand what all these pieces and parts can do for you, you think of them merely as more to love.

The following sections provide an overview of the major elements of the Scrivener workspace, and the remaining chapters in this part and all the chapters in Part II are devoted to explaining each element in more detail.

Figure 1-4 names the major components for you. Don’t worry about what they all mean. Unless you have a photographic memory, just keep a thumb, or maybe a sticky note, tucked into this page so that you can refer to it, as needed.

Figure 1-4: The Scrivener workspace.

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Menu bar

Across the top of your window is the menu bar. The menu bar, aptly named as it is, provides an organized menu of the program’s commands. Although many of the menu commands have shortcuts, via keyboard or button, almost anything you need to do is available in one of the menus.

remember.eps If you’re using the Windows version, the menu bar looks a bit different, but most commands are still there somewhere. And if they’re not now, they will be.

Each menu is organized into groups of menus and submenus that, mostly, make sense. So, commands that relate to working with a project file in a generic sense — such as opening a new project or saving the current one — are listed in the File menu.

Toolbar

The toolbar lives below the menu bar. At the top-center of the toolbar, Scrivener displays the project title followed by the active document name. (The Windows version doesn’t display the project name in the toolbar, only the project title in the title bar, which appears above the menu bar.) Beneath the title, you find a row of colorful buttons for some of the most commonly used menu commands. To see the name of each button, hover your pointer over it for a second. A small tooltip pops up with the button name.

If you find hovering tiresome, Mac users can turn on text for the button icons by going to View⇒Customize Toolbar. At the bottom-left of the Customize Toolbar window that appears, select Icons and Text from the Show drop-down list, as shown in Figure 1-5. In this window, you can also decide which buttons to display in the toolbar by dragging them from the field of buttons into the toolbar.

Figure 1-5: The Customize Toolbar window provides toolbar display options.

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Binder

The purpose of the Binder is to help you navigate and organize your documents. If it’s not visible, go to View⇒Layout⇒Show Binder or click the Binder button in the toolbar.

Much like Finder (or Windows Explorer) does for your computer, the Binder provides access to all the files located within your project and keeps those files organized in an easy-to-see, hierarchical fashion. But even more, the Binder gives you an outline view of your manuscript.

Documents can be organized into folders (which may have a folder icon or some other icon) and multiple levels of subfolders, if desired.

For example, in the Manuscript folder (which is called Draft in the Scrivener User Manual and goes by other names, depending on which template you choose), you store all the documents you want to include in your final manuscript. If you want, you can break up your project into four parts in the Manuscript folder, with chapter folders within each part that contain the scene documents for each chapter. Try finding an easy way to do that in a word processor!

Or, within the Research folder, you might add subfolders to help further classify your research by type (for example, firearms, weather, period costumes, police procedure, plants). You can store photos, PDFs, and website archives in the Research (or another) folder, but not in the Manuscript folder, which is for text only.

The beauty is that you choose how to set up your project. You can rearrange items in the Binder at any time to change their levels, or assign them to different folders. You can collapse and expand files for an outline-like view of your project, easily move items around, rename them, group them into folders and subfolders, and even color-code them. The Binder can also be hidden if you find it distracting.

Chapter 2 provides a full explanation of the Binder.

Editor

The Editor sits at center stage in Scrivener, and it’s the part that probably seems the most familiar to you. It’s the text-editing part of Scrivener — the part where you do the actual writing. Just like a word processor, it contains a formatting bar at the top, a ruler (which may or may not be visible initially), and a blank space for adding your words.

If you chose a template other than Blank, your new project displays a description of the template and how it’s set up. This is a handy reference that sits at the top of the Binder unless you delete it, so you may want to keep it until you get the hang of things.

tip.eps If the Editor looks like a corkboard or a series of horizontal lines, choose View⇒Document (called Scrivenings when multiple files — or a container — are selected).

Within the Editor pane, you have access to several views: Document/Scrivenings (which displays the text editor), Corkboard (index cards), and Outliner.

The Editor has plenty of tricks up its virtual sleeve, which are covered in Part III of this book.

Inspector

The Inspector isn’t a police detective — but for many new users, it’s a bit of a mystery. Located at the far-right of the Scrivener window, the Inspector is a common feature in Mac-based programs, but exists in the Windows version, as well. If it’s not visible, choose View⇒Layout⇒Show Inspector or click the Inspector button in the toolbar.

The Inspector displays all sorts of extra information — known as metadata — about the items in your Binder and allows you to modify a lot of that information. If each scene, chapter, or section within your project were a cereal box, your written text would be the chocolaty rice puffs inside, and the Inspector would be all the information on the outside of the box. (Anyone else hungry?)

When you first start Scrivener, the Inspector displays the Synopsis, general metadata, and notes for whichever document is selected in the Binder:

check.png Synopsis: The top portion of the pane. You can type a brief summary or outline of that scene, chapter, part, image, or whatever can help remind you what it’s about. When you work with the Corkboard (which I describe in Chapter 8), you can see that the index card contents are pulled from the Synopsis section.

check.png General: Located in the middle of the Inspector pane, you store other information about the file here.

check.png Document/Project Notes: This bottom section of the Inspector pane lets you record notes or reminders about the document.

If you want more room to write, or just less clutter in general, you can hide the Inspector by clicking the Inspector button in the toolbar or choosing View⇒Layout⇒Hide Inspector.

Want to investigate the Inspector’s many secrets? Part II of this book is devoted entirely to solving the puzzle of the Inspector.

Determining Your Writing Style

Whether you sit down in front of a blank piece of paper with only the spark of an idea or you create an 80-page outline complete with a storyboard and photos of all your characters before you write, Scrivener accommodates you.

The aforementioned people who write by the seat of their pants — so-called pantsers — might start writing, get to the logical end of the scene, and then start a new document for another scene, whether next in order or not.

Plotters, on the other hand — those who live and die by the outline — might start their process in the Corkboard (Chapter 8) or Outliner (Chapter 9), creating a title and brief synopsis for each scene, moving the scenes around until the order is just right, and then, after setting the storyline, begin filling in the actual text of the story.

Perhaps, like me, you’re somewhere in between. It might even change from one manuscript or type of project to the next. The real beauty here is that you don’t have to stick with one style. Pantsing your way through and got stuck? Try playing with your scenes in the Corkboard. Had a perfect outline, but your characters protested your “all is lost” moment in the plot? Try opening a blank document and free-writing your way through it.

There’s no right or wrong style, only your style. And no matter what style works for you, Scrivener has your back.